Video

TRANSFE/\R

A cinematic physical theatre performance inspired by an allegedly missing scene from the movie “Invasion Of The Body Snatchers” (1956 – dir. Don Siegel). For one singer, trumpet, optical sounds, 16mm film projector, stylophone

Concept/music/film/staging/projector/. stylophone Cinzia Nistico Singer/mime: Stephanie Pan
Trumpet Igor Iofe
Voice on film Stefanie Janssen

teaser by Cramer Âû Florian
teaser by Cinzia Nistico

DIRT

Flute solo piece, commission of Pia Marei Hauser as part of her project ELLE

Flute: Pia Marei Hauser

MOORD

Performance for one flutist, live electronics and one overhead projector. Moord catches the extreme act of killing during its unfolding, like a series of snapshots

Concept/music/electronics: Cinzia Nistico Flute: Klaasje Nieuwhof Visuals: Esther Urlus

teaser by Cinzia Nistico

ADÉLE HUGO

Opera for one voice, electronics and 16mm. projectors based on the love obsession of Adele Hugo.

Concept, music, electronics, text: Cinzia NIstico Voice: Anat Spiegel Visuals: Esther Urlus Staging Ingrid Askvik

teaser by Esther Urlus
trailer by Gregor Gobec

OBSCURE ALTERNATIVES

Performed by Ensemble Black Pencil. Awarded Honorary Mention for the Black Pencil Prize 2018.

UNTER ALLEM

Part of the program “Shifting Images” for clarinet, electronics and photosequences. All sounds in the electronic are taken from the clarinet. This piece was written specially for Michel Marang.

Music by Cinzia Nistico.  Video and clarinet by Michel Marang

Video by Michel Marang

THE GENERATOR

Semi staged film/ concert performance inspired by the novel Flight into Darkness (Flucht in die Finsternis – 1931) by Arthur Schnitzler

Concept, music, film, staging Cinzia Nistico Clarinet Michel Marang. de-tuned Cello Antonis Pratsinakis

film excerpt. Actors:Matthew Carney and Kamila Grzymala

HALBER MENSCH

Halber Mensch (half a man) depicts a human condition for which, a dramatic change in one’s life, causes such overwhelm to induce to seek safeness into a past image of oneself. This ‘ex-identity’, becomes a kind of ghost, with which, any interaction’s attempt, is due to failure. A feeling of loss, of being misplaced, often follows a major change. Then the past is perceived as a safe shelter, but yet accessible.

de-tuned Cello Antonis Pratsinakis bass saxophone Roberto Genova